|













| |

| "If We Make an Exception for
You" |
| Before
I became Crescent Dragonwagon, I was named Ellen
Zolotow, a name no one, and I
mean no one --- not my mother, the writer
Charlotte
Zolotow, not my Aunt Dot --- has called me for more than thirty years.
It is not a name I associate with a happy period of my life, although there were
happy moments from time to time in it, particularly in its earliest
years.
But then, happiness, especially when young, does not always
serve writers well.
|

One undoubtedly happy moment, left. I have always had some tendency
towards insomnia, and was probably just thrilled to discover some one else was
up at that hour. |
|
It is almost universally true that writers, at least
at some point during their growing up years, are lonely, and feel themselves to
be outsiders. Being outsiders, they develop those habits of observation,
thinking, and questioning which eventually inform their writing. (Like
many of us, I tend to goof around and not show the
serious and interior/outsider side of myself when a photograph is being taken.
But a long-ago friend, Vernon Tucker, caught it in this picture taken circa
1973, when I would have been 19 or 20. I still wore glasses.)
|
 |
|
How they fry their ice cream
I remember being quite exuberant,
outgoing, friendly, at times very talkative and at ease, when I was a
very little girl. When we drove on toll-ways, I always asked the
toll-takers, "What's your name?" (Some of them told me).
I especially loved to make or hear jokes.
My mother says she once caught me leaning out the upstairs window, talking to
some housepainters at work on our house. "Painters," I was calling to them,
"Please give us a nice polka-dot trim!" Once my Grandpa Louis sent me a letter
in which he complained that in his new California apartment, all the ladies
liked to exchange recipes. "Oh, well," he wrote me, "What do I care how they fry
their ice cream?" I thought this was hysterically funny. (As an adult, I also
wonder at the amazing ability he must have had to know what a five- or
six-year-old grandchild he saw only occasionally would find so funny, and I
regret that I did not know him better.
|

Grandpa, Louis J. Shapiro, my
mother's father, is pictured above. |
|
A novelistic kingdom
But at times I was quite content to play alone for hours. I had an
elaborate, novelistic kingdom of dolls, centered
around an orphanage. Each doll had a distinct personality; loyalties and
friendships changed and developed from day to day. I was aghast when I learned
that other girls "played dolls" with each other. How could that be? It
was so private and internal. How could you ever explain to someone else all you
knew about your dolls' lives? What if they wanted to make your dolls behave in
ways foreign to their personalities?
Once I learned to read and write, I had another two activities
perfect for solitude. I spent hours by myself doing these things gladly,
too.
|

Crescent at four or five, above.
Now, is that child solitary or outgoing? I still can't tell! |
|
Solitude or
Sociability?
Thus, from the first it seems to me that I interacted intensely with other
people, in a very social, outgoing manner, or quietly (and just as happily, if
not more so) went my own way into a dreamy, thoughtful, private, quiet world.
There was little middle ground.
|

Maurice and I are
pictured together, above; he was age 42, I was 4.
|
| I still have these two, completely opposite
tendencies today. Indeed, I think most of us struggle to balance the need for
autonomy with the hunger to connect with others; I just happen to be extreme in
both instances. If you were to meet me, you'd find me very
outgoing, life-of-the-party... yet I spend
most of each day alone, writing, in my own company, and get edgy when I don't
have enough solitude. This peculiar mix of qualities I
believe I shared with my late father, Maurice Zolotow, who you will meet
shortly. |
| This
balance between solitude and sociability, is the main theme of my third book
for children, When Light Turns into Night,
long out of print but still one of my favorites. Click on the book cover
or title to see a page of the book, which explores this mysterious balance, one
I think many of us struggle with our whole lives through. |
 |
|
Oddly enough, now that I think about it, these themes and
questions also emerged in several of my books: Katie in the Morning, Bat
in the Dining Room, and even This is the Bread I Baked for Ned.
|
|
To be continued...
|
|
|
|